Plato's Concept Of Justice: In his philosophy Plato gives a prominent place to the idea of justice.
It may be further classified as external, since its conflict lies in the realm of reality and is developed by natural rather than supernatural means. Its time relation falls in the palmy days of Venetian greatness, before the enterprise of Da Gama had made the front door of Europe to open on the Atlantic ocean, leaving the Mediterranean seaports to be only unimportant side-entrances.
From busy Venice the scene shifts to Belmont, whose name in literal derivation, beautiful mountain is strikingly suggestive.
The play divides itself easily into two lines of action: But so closely interwoven are the interests of the two that they stand each to the other in the relation of means to an end. It is the business of the first act to develop the sealing of a bond between Antonio, the merchant, and Shylock, the usurer.
On the part of the Jew it is to get a hold over an enemy whom the Jew hates, and whom through legal means he intends to destroy. When the time comes for canceling the bond, although thrice the amount of the debt is offered to Shylock, he still insists upon his pound of flesh, which by the statutes of Venice he may claim.
He proposes to hold in strict justice to the letter of the law though all humanity cry out against it. Hence there arises the struggle between the right of the creditor to his property and the right to human existence.
But the struggle has a deeper root than a mere question of right and wrong in the business world. It is primarily a spiritual conflict between Christianity as represented by Antonio and Judaism in the person of Shylock. With this broader basis the play takes on a more vital importance.
The second act sets forth the conditions under which the beautiful Portia may be wooed and won. No account is taken of Love, which is the sacred basis upon which the family is built. It is the old, old story of the struggle between parental will and the right to individual choice.
These two conflicts in the play, tending to disrupt the family and through the tragical power of the law to destroy human life, are to be happily overcome, else the poet would sink from holding the grand ethical power of the teacher into the mere office of the sensationalist.
Such defection Shakespeare never permits. The love conflict must be mediated, and what seemed through parental authority to rest upon chance must be subjected to the higher right of the will of Portia. In the third act comes the mediation of the minor struggle.
When the lovers meet, certain influences are about Bassanio to lead him to a wise choice. Because he really loves Portia and she in turn loves him, he has the right to claim her over all singling-out of caskets. Moreover, it is because he loves her, and losing her, cannot love another, that he will choose aright, for his heart is centered on internal worth and not external show.
It is not for her wealth, although she is "A lady richly left," nor yet for her beauty, though "Her sunny locks Hang on her temples like a golden fleece," but because she has "wondrous virtues" that Bassanio loves her most. Under the spell of that influence that sees the merit of genuine and enduring affection, that spirit that binds two souls "so long as they both shall live," he will ignore the gold and silver caskets for the leaden one.
But Bassanio has most direction from Portia herself.- Greek Mythology is the study of the stories and legends of ancient Greek life. They are fictional stories used to teach and provide context on everyday occurrences, such .
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An Introduction to the Analysis of the Greek Universal Bond; Love PAGES 2.
WORDS View Full Essay. More essays like this: what is love, greek universal bond, eros, love of family.
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- A person in love feels stronger, faster, better overall, Love is the power of telepathy the ability to fully understand someone without having to talk to simply understand or relate.
- Greek Mythology is the study of the stories and legends of ancient Greek life. They are fictional stories used to teach and provide context on everyday occurrences, such as nature, health, but most importantly, love. The love myths of ancient Greece are far more different than anything we know of today.