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While considering the fact that Shakespeare shows us that what you see is not always what is actually there, we also see the feminist side of the play brought to attention. It is at this point that Claudio Shakespeare slips into verse, indicating that tensions are building and emotions are becoming stronger.
Hero is not only disgraced by Claudio whom she loved but by her father. The friar, a new character in the play, is the only character beside Beatrice to question what is in front of his eyes.
Ironically Friar Francis saves Hero by suggesting a lie; as a man of the cloth he is an gent for good and one clear message of Much Ado About Nothing is that lying leads to disaster and unhappiness.
Shakespeare here gives the impression that trickery is not bad if he intentions are good. Shakespeare represents the dichotomy between good and evil in many ways and this is but one of them, but a very significant one as it shows that different things are acceptable if done with good intentions.
The scene also marks a highly significant turning point in the relationship between Benedick and Beatrice. The theme of external versus internal is explored thoroughly in this scene and we see Shakespeare expressing some radical opinions about the effects of appearances and the roles of women.
Whether or not these opinions would have been accepted in the same way, or even recognised, at the time of publication is unknown, however audiences of today take note of the sexism and feminism and favour those characters who act because of their internal feelings rather than because of appearances or gender.
The Friar is also not influenced by the way things look and in this way Shakespeare influences his audience to act in the same way.The terms antithesis, apostrophe, epistrophe, Rhetorical Devices in Much Ado About Nothing Next Lesson. Much Ado About Nothing: Protagonist & Antagonist; Characterization in Much Ado About.
It's remarkable to realize that Much Ado About Nothing was written four centuries ago in the England of Queen Elizabeth I. Across the Atlantic, the first English colony at Roanoke Island had disappeared several years earlier, and the first permanent English colony at Jamestown was still several.
By Elaine P. Pearce. Much Ado about Nothing is a play of contrasts: contrasts in language, contrasts in public situations, and contrasts in private identities. This continual balancing of opposites ultimately creates a unified, harmonious work. The language of Much Ado about Nothing is precise yet elegant, carefully crafted yet gently flowing.
It “dances with dexterities of antithesis, in. ‘Much Ado About Nothing’ is a romantic comedy set in Messina. Italy first performed in It features the romantic relationship between Beatrice and Benedick who indulge in a “merry wit of war”.
Because of the theme of appearance vs. reality in Shakespeare's Much Ado About Nothing, and the pretended (at least at first) love of Benedick and Beatrice, as opposed to the genuine love of. antithesis apostrophe. epistrophe erotesis. Next To continue your studies, be sure to review the related lesson titled Rhetorical Devices in Much Ado About Nothing.