She wrote about her visions in several books, including this description of the scene Bernini depicted: Beside me, on the left, appeared an angel in bodily form
The Ecstasy of St. Teresa represents an episode from the life of the saint as recorded in her spiritual autobiography.
Teresa describes an angel carrying a fire-tipped spear with which he pierces her heart repeatedly, an act that sends her into a state of spiritual rapture. His delicate touch and lithe figure give him an air of grace. Her physical body seems to have dematerialized beneath the heavy drapery of her robe.
Twisting folds of fabric energize the scene and bronze rays, emanating from an unseen source, seem to rain down divine light.
The combined effect is one of intense drama, the ethereality of which denies the true nature of the work of art. Despite being made of heavy marble, saint and angel—set upon a cloud—appear to float weightlessly. A complete understanding of the aesthetic impact and spiritual significance of the Ecstasy can only be gained in the context of the larger space of the chapel.
The work is, in fact, not an independent piece, but the crucial center of a more complex composition that brings together not only sculpture, but also painting and architecture—all designed by Bernini.
The dark, patterned marble columns and convex niche in which the Ecstasy is framed, for example, enhance the brightness and dynamism of the scene, while giving the sense that the wall has opened up to reveal St. We are, in a way, looking at a vision of a vision, one that Bernini has created for the faithful who worship at the altar and for the Cornaro family in particular.Gian Lorenzo Bernini, Ecstasy of Saint Teresa, (Cornaro Chapel, Santa Maria della Vittoria, Rome) This is Saint Teresa’s description of the event that Bernini depicts: Beside me, on the left, appeared an angel in bodily form.
the enduring quality of the bond between a mother and her children,a family devastated by the lack of food available,a mother's face reflecting the pressures placed on the family unit,a mother's strength and determination at a time of great need. Neptune and Triton () Victoria and Albert Museum.
Summary. Gian Lorenzo Bernini was the most brilliant exponent of Baroque sculpture, one of the top Baroque architects, and a key figure in Baroque metin2sell.com spent almost his entire career in Rome and was responsible for some of the greatest sculptures of the 17th century.
Nov 18, · The Ecstasy of Saint Teresa is a white marble sculpture that was created by Gian Lorenzo Bernini. Bernini was considered one of the great sculptors of his day.
The sculpture was commissioned by a Venetian Cardinal and was completed in It currently rests in Santa Maria della Vittoria Church in Rome, Italy.
The Ecstasy of Saint Teresa (alternatively Saint Teresa in Ecstasy or Transverberation of Saint Teresa; in Italian: L'Estasi di Santa Teresa or Santa Teresa in estasi) is the central sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel, Santa Maria della Vittoria, Rome.
The Ecstasy of Saint Theresa Gian Lorenzo Bernini The Ecstasy of St. Theresa is considered by many as the apogee of Bernini's oeuvre and is notable for the following qualities; Bernini's St.
Theresa is often described as a gesamtkunstwerk (a German word meaning "total work of art") for the artist's incorporation of a variety of elements: sculpture, painting, and lighting effects all presented in a .